He made another one of those psychic connections with
Eleanor Wish when he turned around and looked at the wall above the couch. Framed in black wood was a print of Edward Hopper's Nighthawks. Bosch didn't have the print at home but he was familiar
with the painting and from time to time even thought about it when he was deep on a case or on a surveillance. He had seen the original in Chicago once and had stood in front of it studying it for nearly
an hour. A quiet, shadowy man sits alone at the counter of a street-front diner. He looks across at another customer much like himself, but only the second man is with a woman. Somehow, Bosch
identified with it, with that first man. I am the loner, he thought. I am the nighthawk. The print, with its stark dark hues and shadows, did not fit in this apartment, Bosch realized. Its darkness
clashed with the pastels. Why did Eleanor have it? What did she see there?